The Ridge Salon 2
Sue Mayo








My contribution to the Ridge Salon grew out of work I do with Conflict Resolution specialist Raj Bhari, with a small community group in South London. Our sessions use visual practice and creative writing to very gently explore our own relationship to brokenness and repair, and the group are local women and men who come for a wide variety of reasons. One week I brought the idea of 'lost words'. I had found some old words and expressions no longer in use, but also wanted to think about the dropping of many nature words from the OED, including 'kingfisher' 'acorn' 'wren'. Robert McFarlane had collected these in his book Lostwordsbook | The Lost Words. Out of our conversation, we invited the group to create new words, using the found poetry technique of cutting up and reassembling words from magazines. Out from the group's creativity came a myriad of new words and expressions, including 'deepend pain', 'lingergorgeous', 'rock-quiet'.
For the Ridge Salon, both the lost words and the new words seemed to me to be like a cloud of bird song, ancient, but always being recreated. Together we learned to make tiny paper fortune-cookies, in which we left old and new words of our own as a gift to Katja.
Biography
Sue Mayo is an artist and researcher, working in collaboration with communities. Her current work, Breaks & Joins, explores the repair of our stuff, ourselves and our communities through film, performance, workshops and a podcast. We recently staged a take-over of Manchester Museum for the event 'Repair as Resistance, and our film will be featured at The Penland Gallery in North Carolina as part of Celia Pym's exhibition: Perfection - a question of repair. Sue has specialised in intergenerational performance, working for many years as Associate artist with Magic Me where she developed a women's project that ran for 18 years, performing with LIFT, at the Southbank Centre and at COP26.
She is lead artist on the Royal Albert Hall’s Open Stages project, and currently artist in residence, with her collaborator Chuck Blue Lowry, at the Albany, in Deptford. Sue was for 10 years Convenor of the MA in Applied Theatre at Goldsmiths, University of London.