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Mouth | Piece

An audio performance in collaboration with sound artist Victoria Karlsson

Mouth Piece programme for Bold_FINAL_Page_6.jpg

Mouth/Piece is an audio performance inspired by an archaeological find of a 300-year-old skeleton of a young girl, excavated in 1968 in a cave in Poland. The girl was found with a skull of a chaffinch in her mouth. Mouth/Piece retells this story in multiple voices, including birdsong, speculating on ideas surrounding mother tongue, kinship and feminist ecology. What if the girl and the bird were learning to speak each other’s languages? What if they were exchanging knowledge across species? In the context of the ecological crisis we face, Mouth/Piece explores the relationship between the girl and the chaffinch as an example of the kind of biopolitical symbiosis we should perhaps strive for.

final mouth piece 1Mouth | Piece
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Sound design was created in collaboration with Victoria Karlsson, who is a sound artist and researcher, working across sound art and design and performance. In her practice and research, she explores cultural aspects of sound and listening through performance, visual and text scores, writing and sculpture. She is interested in our cultural relationships to sounds, and the intersections between sound, listening, queer theory and affect. As a sound designer, she is interested in exploring how sound can evoke other, sometimes speculative, worlds within the reality we currently inhabit. 

Creative team

Mouth | Piece has been created as part of a practice research project, The Finch Girl. The performance, like the writings developed in response to this archaeological find, is multi-vocal, relational and entangled in its form, foregrounding the multitude of connections that hold together interspecies life. The voices of birds intermingle with the spoken and written words of the team of scientists whose detective work uncovered the story of the girl buried with the finches; and the words of ecofeminist thinkers, ornithologists and real-life women whose lives have been profoundly changed by living side by side with birds are spoken in verbatim. I am so grateful to the wonderful people who lent their voices and instruments for this project.

Characters

(in order of appearance)

Chaffinch                                             

Researcher                                   

The Finch Girl                               

Birdwoman                                        

Scientist                                                             

Donna Haraway                         

Deborah Bird Rose *                

Ornithologist                                    

Malgorzata Kot *                               

Vinciane Despret *                     

Melina Packer *                             

Ambika Kamath *                    

Ursula le Guin                               

Krzystof Wertz

Tin Whistle & Guitar

Guitar

 

 

 

 

Chaffinch

 

Katja Hilevaara

Eva Hilevaara Shilland

Katja Hilevaara

Elliot Hilevaara Shilland

Molly McPhee

Victoria Karlsson

Christopher Heighes

Malgorzata Kot

Telma Marotto

King Lexie

Abhisikta Dasgupta

Abby Sinnott

Krzystof Wertz

Holly Rogers

John McGrath

The first draft of Mouth | Piece was presented at Festival of Joy, an evening of works-in-progress curated by the Chekhov Collective, at Bold Theatre, London, on 6 June 2026.

 

* The full audio was edited to fit the 30-minute performance slot, and various story layers were cut. In this process we lost a few characters and voices, but we are hoping to keep these in the next iteration.

 

We would also love your thoughts on this first draft of the performance. We will continue to develop it, and your thoughts and comments would be invaluable. If you have a few minutes to spare, please could you fill in this feedback form. Thank you.

LINK HERE

References

Ackerman, Jennifer. The Bird Way: A New Look at How Birds Talk, Work, Play, Parent, and Think. Penguin Press, 2020

Despret, Vinciane. Living as a Bird. Translated by Helen Morrison, Polity, 2021

Despret, Vinciane, and Thom Van Dooren. “Evolution. Lessons From Some Cooperative Ravens.” The Edinburgh Companion to Animal Studies, edited by Lynn Turner et al., University of Edinburgh Press, 2018, pp. 160-180

Haraway, Donna J. Staying with the Trouble: Making Kin in the Chthulucene. Duke University Press, 2016

Hershman, Tania. ‘Uncertainty’ in Still Life with Octopus. Rugby. Nine Arches Press. 2022, p.20

Hilevaara, Katja. ‘Girlspeak’. Performing Punctuation, edited by Julieanna Preston and Intellect, 2026

Kamath, Ambika and Melina Packer. Feminism in the Wild: How human biases shape our understanding of animal behaviour. The MIT Press. 2025

Le Guin, Ursula K. Space Crone. Edited by Sarah Shin and So Mayer, Silver Press, 2023

Fabulating as Mothers: The Curious Story of a Girl with A Bird in Her Mouth’ in Maternal Ecologies: Feminist Practices of Motherhood, Land, and Creativity. Edited by Jessie Carson, Jodie Hawkes and Pete Phillips. TBP by Demeter Press, 2025.

Rose, Deborah Bird. Wild Dog Dreaming: Love and Extinction. Univeristy of Virginia Press. 2011

Wojenka, Michał, et al. "The Girl with Finches: A Unique Post-Medieval Burial in Tunel Wielki Cave, Southern Poland." Praehistorische Zeitschrift, vol. 96, no. 1, 2021, pp. 286–309

Sounds cited

Chaffinch calls  https://www.british-birdsongs.uk/chaffinch/?type=song-669 and various field recordings

Chaffinch facts (spoken by the Ornithologist) https://sussexwildlifetrust.org.uk/news/chaffinch-bird-song

Kylä Vuotti Uutta Kuuta. Finnish folk song, performed by Holly Rogers (tin whistle and acoustic guitars with…). 2026

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